Ana de Armas takes center stage in "Ballerina," the latest action-packed spinoff from the John Wick universe, and early reactions are lighting up the internet. But is this ballet of bullets living up to the franchise’s high standards?
A New Assassin Steps Into the Spotlight.
Directed by Len Wiseman and written by Shay Hatten, "Ballerina" follows Eve, a vengeance-driven assassin whose journey is as brutal as it is balletic. De Armas delivers a performance that critics and fans agree is both fierce and graceful, redefining what it means to "fight like a girl" in the Wickverse.
Action That Dazzles—Eventually.
Reviews highlight that while the film starts slow, it finds its rhythm in the second half. The fight choreography, a hallmark of the John Wick series, is praised for its creativity and intensity, with Eve’s combat style described as scrappier and more unpredictable than John Wick’s own methodical approach Expect inventive weapon use—from cookware to ice skates—and a relentless pace once the action kicks in.
Critical Reception: Mixed but Mostly Positive.
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Rotten Tomatoes: 76% positive from critics, with praise for de Armas and the film’s inventive action sequences.
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Metacritic: 59/100, indicating mixed or average reviews.
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CinemaScore: Audiences gave it an A–, and 87% of viewers said they’d recommend it.
While many reviewers enjoyed the stylish violence and de Armas’ performance, some found the plot generic and the dialogue lacking. Still, for most, the film earns its place in the franchise, especially with a memorable cameo from Keanu Reeves’ John Wick himself.
Box Office and Franchise Impact.
"Ballerina" debuted with $24.5 million domestically and $50.5 million worldwide so far, a solid showing for a spinoff, though lower than mainline John Wick entries The film is expected to keep drawing fans eager for more Wickverse lore.
The Verdict.
"Ballerina" may not reach the heights of Wick’s finest moments, but it delivers a fresh, female-led perspective with enough inventive action to satisfy franchise fans. As one reviewer summed up: “Ballerina doesn’t just hit—it dances circles around your expectations”.
